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“... the Charing Cross Road’. Occasionally, the day’s work done, he goes to pubs and meets poets: David Wright, ‘a literary instrument of precision’, and a long-time friend and supporter; Patrick Kavanagh, who was to be approached ‘with a large whisky in one’s outstretched hand’; George Barker, first seen ‘wearing a check suit and cap, all ...”

“... and lip-reading – is not obviously a bad mode of education for those not deaf at birth. The poet David Wright, deaf from scarlet fever at the age of seven, tells, in Deafness: A Personal Account, how glad he is to have been at that kind of school. The people on whom oralism worked had some experience of speech and seem also to have been intrinsically ...”

“... He wrote The Seven Journeys at this time (it wasn’t published until 1944) and made friends with David Archer, the publisher and bookseller whose Scott Street Arts Centre in Glasgow was a venue for the avant-garde of the interwar years. Graham met Dylan Thomas there, who was sufficiently impressed to include a Graham poem at the end of one of his own ...”

“... book. The ‘mélange of toughness, independence, enterprise, courage and good humour’ which David Wright admired when he met Macaulay in the Fifties, reads like an uncorroborated report, and, ironically, the most lasting image is Wright’s description of an unattended bicycle, a familiar sight outside the London ...”

“... It is easy to conjure up landscapes of the past peopled by holy fools, and to suppose that medieval times were full of simpleton jesters, and boy bishops leading rites of inversion and showing how all sinners were equal in God’s eyes. It is equally easy to imagine a subsequent darkening of the plain – the old Christian reverence for simplicity yielding to the carceral project of modernity, Foucault’s great confinement ...”

“... We won’t find, for instance, Burns Singer, one of the most original poets of the Fifties, or David Wright and John Heath-Stubbs. All three were friends of Graham, and their inclusion might have helped the Forties and Fifties out of their New Apocalypse v. Movement stand-off. Hamish Henderson, whose 1948 Elegies for the Dead in Cyrenaica (reprinted ...”

“... we are blessedly enlightened, like South Sea cannibal islanders converted to Christianity. Patrick Wright’s new book is all about not being triumphalist, or taking any simple view on the history of attitudes to human use of the natural world. This sounds like an implausibly large endeavour for a book whose subject is just one bit of England (Purbeck), in the ...”

“... James, the always reliable butler, deals with that, the illusion of a dedication to poetry. Adrian Wright, in this new biography, refers several times to Lehmann’s half-commitment (in spite of his energy) to the professional life he chose. Fieldhead was the magic enclosure to which, as an adult, he looked back, wishing that it might have been possible to sit ...”

“... had produced not a glimpse of Wilsonia. Many years later, inspired by the Spycatcher revelations, David Leigh of the Observer has set out on the journey once more. There is no one better qualified. All through the awful Eighties David Leigh has kept the flag of investigative journalism fluttering high. He has a stack of ...”

“... which has recently been brilliantly treated in a collection of essays edited by Jenny Doctor, David Wright and Nicholas Kenyon.* In terms (for instance) of its performing space, the crucial dates were 1893 and 1941 (when the Queen’s Hall was destroyed and the concerts moved to the Albert Hall); in terms of sponsorship and organisation, the key ...”

“... are so well known in outline that we don’t really know them at all. The headline news about the Wright brothers’ invention of powered flight is so familiar that it’s easy to think we know all about it. David McCullough’s excellent biography The Wright Brothers brings the story ...”

“... Dover, but the bypasses were on the way by 28 June 1973, when the conservative MP for Canterbury, David Crouch, told the House of Commons that he was merely asking that the A2 be raised to ‘the standard obtaining in Europe’. Crouch quoted a report showing that freight through Dover had increased by 30 per cent less than a month after Britain joined the ...”

“... paintings were, in important ways, anti-academic, or ‘English’: Hogarth himself, Zoffany, Wright of Derby, Stubbs, Gainsborough, Rowlandson and Blake. The second group all shared something of Hogarth’s anti-authoritarian scepticism. Turner acknowledged his allegiance to it when he donated Hogarth’s palette to the Royal Academy, while Constable ...”

“... When​ Richard Wright sailed to France in 1946, he was 38 years old and already a legend. He was America’s most famous black writer, the author of two books hailed as classics the moment they were published: the 1940 novel Native Son and the 1945 memoir Black Boy. By ‘choosing exile’, as he put it, he hoped both to free himself from American racism and to put an ocean between himself and the Communist Party of the United States, in which he’d first come to prominence as a writer of proletarian fiction only to find himself accused of subversive, Trotskyist tendencies ...”

“... Exchange Building. In 1993, one man, George Heron, had been acquitted of her murder; now another, David Boyd, was about to stand trial.In 1992, Sunderland’s shipyards had closed down, Monkwearmouth colliery was about to be mothballed and, though Liebherr cranes still tilted their long necks across the docks, and Nissan was mass-producing Primeras and Micras ...”